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<title>Triunfo. Año XIX, n.117 </title>
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<id>http://hdl.handle.net/10366/2528</id>
<updated>2026-04-25T08:02:21Z</updated>
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<entry>
<title>Usted y su escritura</title>
<link href="http://hdl.handle.net/10366/36347" rel="alternate"/>
<author>
<name>Profesor Sesma</name>
</author>
<id>http://hdl.handle.net/10366/36347</id>
<updated>2025-04-30T18:39:55Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Una campaña dura y sucia</title>
<link href="http://hdl.handle.net/10366/36346" rel="alternate"/>
<author>
<name>Haro Tecglen, Eduardo, 1924-2005</name>
</author>
<id>http://hdl.handle.net/10366/36346</id>
<updated>2025-04-30T18:39:55Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Protestantes en España</title>
<link href="http://hdl.handle.net/10366/36345" rel="alternate"/>
<author>
<name>Miret Magdalena, Enrique, 1914-</name>
</author>
<id>http://hdl.handle.net/10366/36345</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Perfil de un festival</title>
<link href="http://hdl.handle.net/10366/36344" rel="alternate"/>
<author>
<name>García de Dueñas, Jesús, 1939-</name>
</author>
<id>http://hdl.handle.net/10366/36344</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Los picapiedras</title>
<link href="http://hdl.handle.net/10366/36343" rel="alternate"/>
<author>
<name>Hanna-Barbera Productions</name>
</author>
<id>http://hdl.handle.net/10366/36343</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Los modos de fugarse</title>
<link href="http://hdl.handle.net/10366/36342" rel="alternate"/>
<author>
<name>Agustí, Ignacio, 1913-1974</name>
</author>
<id>http://hdl.handle.net/10366/36342</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Línea italiana</title>
<link href="http://hdl.handle.net/10366/36341" rel="alternate"/>
<author>
<name>Vázquez-Vigo, Carmen, 1923-</name>
</author>
<id>http://hdl.handle.net/10366/36341</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>La segunda evasión</title>
<link href="http://hdl.handle.net/10366/36340" rel="alternate"/>
<author>
<name>Agustí, Ignacio, 1913-1974</name>
</author>
<id>http://hdl.handle.net/10366/36340</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>La muerte de los teatros principales</title>
<link href="http://hdl.handle.net/10366/36339" rel="alternate"/>
<author>
<name>Monleón, José, 1927-</name>
</author>
<id>http://hdl.handle.net/10366/36339</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>La desconocida señora Davies</title>
<link href="http://hdl.handle.net/10366/36338" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36338</id>
<updated>2023-06-12T21:57:57Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/36337" rel="alternate"/>
<author>
<name>Sempé</name>
</author>
<id>http://hdl.handle.net/10366/36337</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/36336" rel="alternate"/>
<author>
<name>Kiraz</name>
</author>
<id>http://hdl.handle.net/10366/36336</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/36335" rel="alternate"/>
<author>
<name>Picha</name>
</author>
<id>http://hdl.handle.net/10366/36335</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Gail Davies</title>
<link href="http://hdl.handle.net/10366/36334" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36334</id>
<updated>2023-06-12T21:57:53Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>Fritz Lang - Harry Langdon</title>
<link href="http://hdl.handle.net/10366/36333" rel="alternate"/>
<author>
<name>Villegas López, Manuel, 1906-1980</name>
</author>
<id>http://hdl.handle.net/10366/36333</id>
<updated>2025-04-30T18:39:54Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
</entry>
<entry>
<title>El santuario del abstracto</title>
<link href="http://hdl.handle.net/10366/36332" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36332</id>
<updated>2023-06-12T21:57:52Z</updated>
<published>1964-08-29T00:00:00Z</published>
<dc:date>1964-08-29T00:00:00Z</dc:date>
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