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<title>Triunfo. Año XIX, n.139 </title>
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<id>http://hdl.handle.net/10366/2551</id>
<updated>2026-04-23T20:22:41Z</updated>
<dc:date>2026-04-23T20:22:41Z</dc:date>
<entry>
<title>Usted y su escritura</title>
<link href="http://hdl.handle.net/10366/36837" rel="alternate"/>
<author>
<name>Profesor Sesma</name>
</author>
<id>http://hdl.handle.net/10366/36837</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Un catolicismo renovado</title>
<link href="http://hdl.handle.net/10366/36836" rel="alternate"/>
<author>
<name>Miret Magdalena, Enrique, 1914-</name>
</author>
<id>http://hdl.handle.net/10366/36836</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Raffaella Carrá</title>
<link href="http://hdl.handle.net/10366/36835" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36835</id>
<updated>2023-06-12T22:11:25Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Menos armas para 1965</title>
<link href="http://hdl.handle.net/10366/36834" rel="alternate"/>
<author>
<name>Haro Tecglen, Eduardo, 1924-2005</name>
</author>
<id>http://hdl.handle.net/10366/36834</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Los escritores franceses y la política</title>
<link href="http://hdl.handle.net/10366/36833" rel="alternate"/>
<author>
<name>García Rico, Eduardo, 1931-</name>
</author>
<id>http://hdl.handle.net/10366/36833</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>La confesión de Quentin Miller: "Después de la caída"</title>
<link href="http://hdl.handle.net/10366/36832" rel="alternate"/>
<author>
<name>Monleón, José, 1927-</name>
</author>
<id>http://hdl.handle.net/10366/36832</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>La composición musical: una actividad no reconocida</title>
<link href="http://hdl.handle.net/10366/36831" rel="alternate"/>
<author>
<name>Pablo, Luis de, 1930-</name>
</author>
<id>http://hdl.handle.net/10366/36831</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>La carrera del matrimonio</title>
<link href="http://hdl.handle.net/10366/36830" rel="alternate"/>
<author>
<name>Vázquez-Vigo, Carmen, 1923-</name>
</author>
<id>http://hdl.handle.net/10366/36830</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Kenji Mizoguchi - Monsieur Verdoux</title>
<link href="http://hdl.handle.net/10366/36829" rel="alternate"/>
<author>
<name>Villegas López, Manuel, 1906-1980</name>
</author>
<id>http://hdl.handle.net/10366/36829</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/36828" rel="alternate"/>
<author>
<name>Sempé</name>
</author>
<id>http://hdl.handle.net/10366/36828</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/36827" rel="alternate"/>
<author>
<name>Cork</name>
</author>
<id>http://hdl.handle.net/10366/36827</id>
<updated>2025-04-30T18:40:59Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Estos hombres van a morir</title>
<link href="http://hdl.handle.net/10366/36826" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36826</id>
<updated>2023-06-12T22:11:18Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>El quiz</title>
<link href="http://hdl.handle.net/10366/36825" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36825</id>
<updated>2023-06-12T22:11:17Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>El mensaje de las estrellas</title>
<link href="http://hdl.handle.net/10366/36824" rel="alternate"/>
<author>
<name>Acrux</name>
</author>
<id>http://hdl.handle.net/10366/36824</id>
<updated>2025-04-30T18:40:58Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Cultura y diferenciación del público</title>
<link href="http://hdl.handle.net/10366/36823" rel="alternate"/>
<author>
<name>Santos Fontenla, César, 1931-2001</name>
</author>
<id>http://hdl.handle.net/10366/36823</id>
<updated>2025-04-30T18:40:58Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
<entry>
<title>Churchill, casi un siglo de historia</title>
<link href="http://hdl.handle.net/10366/36822" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/36822</id>
<updated>2023-06-12T22:11:15Z</updated>
<published>1965-01-30T00:00:00Z</published>
<dc:date>1965-01-30T00:00:00Z</dc:date>
</entry>
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