<?xml version="1.0" encoding="UTF-8"?>
<feed xmlns="http://www.w3.org/2005/Atom" xmlns:dc="http://purl.org/dc/elements/1.1/">
<title>Triunfo. Año XXII, n.296 </title>
<link href="http://hdl.handle.net/10366/2711" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/10366/2711</id>
<updated>2026-04-26T13:30:30Z</updated>
<dc:date>2026-04-26T13:30:30Z</dc:date>
<entry>
<title>Protección insuficiente</title>
<link href="http://hdl.handle.net/10366/38545" rel="alternate"/>
<author>
<name>Buchwald, Art, 1928-2007</name>
</author>
<id>http://hdl.handle.net/10366/38545</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Postermanía</title>
<link href="http://hdl.handle.net/10366/38544" rel="alternate"/>
<author>
<name>Santos Fontenla, César, 1931-2001</name>
</author>
<id>http://hdl.handle.net/10366/38544</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Plan de desarrollo y realidad económica III</title>
<link href="http://hdl.handle.net/10366/38543" rel="alternate"/>
<author>
<name>López Muñoz, Arturo</name>
</author>
<id>http://hdl.handle.net/10366/38543</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Odetta: entre el folk y el blues</title>
<link href="http://hdl.handle.net/10366/38542" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/38542</id>
<updated>2023-06-12T22:52:38Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/38541" rel="alternate"/>
<author>
<name>Sempé</name>
</author>
<id>http://hdl.handle.net/10366/38541</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/38540" rel="alternate"/>
<author>
<name>Desclozeaux</name>
</author>
<id>http://hdl.handle.net/10366/38540</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Festival de Cine Publicitario</title>
<link href="http://hdl.handle.net/10366/38539" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/38539</id>
<updated>2023-06-12T22:52:35Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>El presidente accidental II</title>
<link href="http://hdl.handle.net/10366/38538" rel="alternate"/>
<author>
<name>Sherrill, Robert, 1924-</name>
</author>
<id>http://hdl.handle.net/10366/38538</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>El Palomares del Ártico</title>
<link href="http://hdl.handle.net/10366/38537" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/38537</id>
<updated>2023-06-12T22:52:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>El hijo, ese rebelde</title>
<link href="http://hdl.handle.net/10366/38536" rel="alternate"/>
<author>
<name>Miret Magdalena, Enrique, 1914-</name>
</author>
<id>http://hdl.handle.net/10366/38536</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Corea un paso más hacia el abismo</title>
<link href="http://hdl.handle.net/10366/38535" rel="alternate"/>
<author>
<name>Haro Tecglen, Eduardo, 1924-2005</name>
</author>
<id>http://hdl.handle.net/10366/38535</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Casi doscientos aspirantes a la dirección escénica</title>
<link href="http://hdl.handle.net/10366/38534" rel="alternate"/>
<author>
<name>Monleón, José, 1927-</name>
</author>
<id>http://hdl.handle.net/10366/38534</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>Cannes 68: Meca del disco</title>
<link href="http://hdl.handle.net/10366/38533" rel="alternate"/>
<author>
<name/>
</author>
<id>http://hdl.handle.net/10366/38533</id>
<updated>2023-06-12T22:52:30Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
<entry>
<title>"Faraón": una lección de historia</title>
<link href="http://hdl.handle.net/10366/38532" rel="alternate"/>
<author>
<name>García de Dueñas, Jesús, 1939</name>
</author>
<id>http://hdl.handle.net/10366/38532</id>
<updated>2025-04-30T18:44:33Z</updated>
<published>1968-02-03T00:00:00Z</published>
<dc:date>1968-02-03T00:00:00Z</dc:date>
</entry>
</feed>
