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<title>Triunfo. Año XXVI, n.463 </title>
<link href="http://hdl.handle.net/10366/2881" rel="alternate"/>
<subtitle/>
<id>http://hdl.handle.net/10366/2881</id>
<updated>2026-04-24T07:25:15Z</updated>
<dc:date>2026-04-24T07:25:15Z</dc:date>
<entry>
<title>¿Nuevo dios a la vista?</title>
<link href="http://hdl.handle.net/10366/44779" rel="alternate"/>
<author>
<name>Miret Magdalena, Enrique, 1914-</name>
</author>
<id>http://hdl.handle.net/10366/44779</id>
<updated>2025-04-30T18:50:33Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Una revisión incompleta del cine brasileño</title>
<link href="http://hdl.handle.net/10366/44777" rel="alternate"/>
<author>
<name>Lara, Fernando, 1947-</name>
</author>
<id>http://hdl.handle.net/10366/44777</id>
<updated>2025-04-30T18:50:33Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Tupac Amaru y las rebeliones indigenistas</title>
<link href="http://hdl.handle.net/10366/44775" rel="alternate"/>
<author>
<name>Ruiz García, Enrique, 1945?-</name>
</author>
<id>http://hdl.handle.net/10366/44775</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Subdesarrollo, Buñuel y humor negro</title>
<link href="http://hdl.handle.net/10366/44773" rel="alternate"/>
<author>
<name>Galán, Diego, 1946-</name>
</author>
<author>
<name>Lara, Fernando, 1947-</name>
</author>
<author>
<name>Rodríguez, Ramón, 1947-</name>
</author>
<id>http://hdl.handle.net/10366/44773</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Poesía cubana en tiempos difíciles</title>
<link href="http://hdl.handle.net/10366/44771" rel="alternate"/>
<author>
<name>Gaciño, José Antonio, 1945-</name>
</author>
<id>http://hdl.handle.net/10366/44771</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Los peligros de una metafísica instrumental</title>
<link href="http://hdl.handle.net/10366/44769" rel="alternate"/>
<author>
<name>Rodríguez Santerbás, Santiago, 1937-</name>
</author>
<id>http://hdl.handle.net/10366/44769</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Las barreras del teatro infantil</title>
<link href="http://hdl.handle.net/10366/44767" rel="alternate"/>
<author>
<name>Monleón, José, 1927-</name>
</author>
<id>http://hdl.handle.net/10366/44767</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>La educación de Palmira X</title>
<link href="http://hdl.handle.net/10366/44765" rel="alternate"/>
<author>
<name>Pompeia, Núria, 1931-</name>
</author>
<author>
<name>Manolo V</name>
</author>
<id>http://hdl.handle.net/10366/44765</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Jackson: "Me encuentro en medio de dos intransigencias: eso explica mi secuestro"</title>
<link href="http://hdl.handle.net/10366/44763" rel="alternate"/>
<author>
<name>Madruga, Leopoldo</name>
</author>
<id>http://hdl.handle.net/10366/44763</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Igor Stravinsky: los mil y un rostros de un artesano de la música</title>
<link href="http://hdl.handle.net/10366/44761" rel="alternate"/>
<author>
<name>Rodríguez Santerbás, Santiago, 1937-</name>
</author>
<id>http://hdl.handle.net/10366/44761</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/44759" rel="alternate"/>
<author>
<name>Chumy-Chúmez</name>
</author>
<id>http://hdl.handle.net/10366/44759</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Humor de …</title>
<link href="http://hdl.handle.net/10366/44757" rel="alternate"/>
<author>
<name>Chumy-Chúmez</name>
</author>
<id>http://hdl.handle.net/10366/44757</id>
<updated>2025-04-30T18:50:32Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>El fascismo manipulado</title>
<link href="http://hdl.handle.net/10366/44755" rel="alternate"/>
<author>
<name>Haro Tecglen, Eduardo, 1924-2005</name>
</author>
<id>http://hdl.handle.net/10366/44755</id>
<updated>2025-04-30T18:50:31Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>El asociacionismo</title>
<link href="http://hdl.handle.net/10366/44753" rel="alternate"/>
<author>
<name>Cámara, Sixto</name>
</author>
<id>http://hdl.handle.net/10366/44753</id>
<updated>2025-04-30T18:50:31Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Dublín: Festival de canción reaccionaria</title>
<link href="http://hdl.handle.net/10366/44751" rel="alternate"/>
<author>
<name>Dávila, Luis</name>
</author>
<id>http://hdl.handle.net/10366/44751</id>
<updated>2025-04-30T18:50:31Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
</entry>
<entry>
<title>Celtiberia Show</title>
<link href="http://hdl.handle.net/10366/44749" rel="alternate"/>
<author>
<name>Carandell, Luis, 1929-2002</name>
</author>
<id>http://hdl.handle.net/10366/44749</id>
<updated>2025-04-30T18:50:31Z</updated>
<published>1971-04-17T00:00:00Z</published>
<dc:date>1971-04-17T00:00:00Z</dc:date>
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