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dc.contributor.authorBarrios Herrero, Olga
dc.date.accessioned2012-07-03T08:08:11Z
dc.date.available2012-07-03T08:08:11Z
dc.date.issued1997
dc.identifier.citationBarrios Herrero, O. (1997). A Reflection on the Similarites of the Black Theater Movement in the USA and in South Africa. Atlantis: Revista de la Asociación española de Estudios Anglo-Norteamericanos 29 (1), 7-13.es_ES
dc.identifier.issn1989-6840
dc.identifier.urihttp://hdl.handle.net/10366/115948
dc.description.abstract[ES] Este ensayo analiza cómo los artistas del Black Theater Movement eran mujeres y hombres comprometidos en devolverle al teatro su función social. Los artistas negros de este movimiento crearon un tipo de teatro genuino que combinaba técnicas teatrales africanas y occidentales, retornando el teatro a su lugar de procedencia: el pueblo. [EN] This essay shows how the artits of the Black Theater Movemento were committed wo/men who wanted to restore theater to its social function. Black artists created a genuine type of theater that combined western and traditional Afican theatrical techniques and returned theaer to its original source: the people.es_ES
dc.format.mimetypeapplication/pdf
dc.languageEspañol
dc.language.isoenges_ES
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectBlack Theatre Movementes_ES
dc.subjectBlack South African Theatrees_ES
dc.subjectTeatro afroamericanoes_ES
dc.subjectTeatro negro sudafricanoes_ES
dc.titleA Reflection on the Similarites of the Black Theater Movement in the USA and in South Africaes_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.typeinfo:eu-repo/semantics/article
dc.subject.unesco5701.07 Lengua y literaturaes_ES
dc.subject.unesco6203.10 Teatroes_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess


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Attribution-NonCommercial-NoDerivs 3.0 Unported
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