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dc.contributor.authorBarrios Herrero, Olga
dc.date.accessioned2012-07-10T07:17:44Z
dc.date.available2012-07-10T07:17:44Z
dc.date.issued2003
dc.identifier.citationBarrios Herrero, O. (2003). From Seeking One’s Voice to Uttering the Scream: The Pioneering Journey of African Women Playwrights through the 1960s and 1970s. African American Review, Vol. 37, No. 4, 611-627.es_ES
dc.identifier.urihttp://hdl.handle.net/10366/115976
dc.description.abstract[ES] Este estudio se centra en el estudio de cuatro dramaturgas afroamericanas de los años sesenta y setenta (Adrienne Kennedy, Notzake Shange, Aishah Rahman y Alexis De Veaux) como representantes y pioneras en el viaje de búsqueda que emprende la mujer negra dentro de las artes escénicas y de sí mismas.[EN] This study focuses of four African American Women playwrights through the 1960s and 1970s (Adrienne Kennedy, Ntozake Shange, Aishah Rahman and Alexis De Veaux) as representatives and pioneers of black women’s searching journey into theatre and into their selves.es_ES
dc.format.mimetypeapplication/pdf
dc.languageEspañol
dc.language.isoenges_ES
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectAfrican American Women Playwrightses_ES
dc.subjectDramaturgas afroamericanases_ES
dc.subjectAdrienne Kennedyes_ES
dc.subjectNtozake Shangees_ES
dc.subjectAishah Rahmanes_ES
dc.subjectAlexis De Veauxes_ES
dc.titleFrom Seeking One’s Voice to Uttering the Scream: The Pioneering Journey of African Women Playwrights through the 1960s and 1970ses_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.subject.unesco6203.10 Teatroes_ES
dc.subject.unesco5701.07 Lengua y literaturaes_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess


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