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dc.contributor.authorPatea Birk, Viorica Eleonora 
dc.date.accessioned2017-12-05T10:30:24Z
dc.date.available2017-12-05T10:30:24Z
dc.date.issued2017
dc.identifier.urihttp://hdl.handle.net/10366/135740
dc.description.abstract[EN]The aim of this paper is to analyze the way in which Pound’s and Eliot’s Modernist poetics assume the task of what Longenbach calls the “existential” historian who endeavors in Bradley’s words “to breathe the life of the present into the death of the past.” It argues that stylistically, this approach of time does away with the temporal dimension inherent in a literary text and privileges instead spatiality, which is a characteristic feature of the figurative arts. In the first instance it analyzes the modernist conception of newness and the relationship between past and present, and in the second part it argues that the required technique to reflect the conception of time as a palimpsest together with the non-mimetic aesthetics of modernist poetics transform the modern epic into primarily a spatial poemses_ES
dc.format.extent21 p.
dc.format.mimetypeapplication/pdf
dc.languageInglés
dc.language.isoenges_ES
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectLiteraturees_ES
dc.subjectPoesía modernaes_ES
dc.subjectPound, Ezraes_ES
dc.subjectEliot, T. S., 1888-1965es_ES
dc.subjectPoesía épicaes_ES
dc.subjectEspacialidades_ES
dc.subjectModernist poetryes_ES
dc.subjectModern epices_ES
dc.subjectSpatialityes_ES
dc.titleEliot’s and Pound’s Declensions of the Past and Present: When Time Becomes Spacees_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.projectIDSA342U14es_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


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