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dc.contributor.authorCasanova Varela, Basilio
dc.date.accessioned2018-01-12T09:43:20Z
dc.date.available2018-01-12T09:43:20Z
dc.date.issued2017-12-31
dc.identifier.citationRevista de Medicina y Cine, 13 (2017)
dc.identifier.issn1885-5210
dc.identifier.urihttp://hdl.handle.net/10366/136124
dc.description.abstractIn this work we analyze the presence of the psychic mechanism of denial in Vertigo (1958), by Alfred Hitchcock. We focus especially on credit titles, as well as on those sequences that help us visualize that defensive mechanism that leads to the cleavage of self. 
dc.description.abstractEn este trabajo analizamos la presencia del mecanismo psíquico de la desmentida -o renegación- en el film de Alfred Hitchcock, Vértigo (1958). Nos centramos especialmente en los títulos de crédito, así como en aquellas secuencias que nos ayuden a visualizar ese mecanismo defensivo que conduce a la escisión del yo.
dc.format.mimetypeapplication/pdf
dc.language.isospa
dc.publisherEdiciones Universidad de Salamanca (España)
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 Unported
dc.rights.urihttps://creativecommons.org/licenses/by-nc-nd/3.0/
dc.subjectMedicina
dc.subjectCine
dc.subjectMedicine
dc.subjectMotion pictures
dc.titleDesmentida, fetichismo y perversión en Vértigo (1958)
dc.title.alternativeA Denial, Fetishism and Perversion in Vertigo (1958)
dc.typeinfo:eu-repo/semantics/article
dc.rights.accessRightsinfo:eu-repo/semantics/openAccess


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Attribution-NonCommercial-NoDerivs 3.0 Unported
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 Unported