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dc.contributor.authorCuenca Rodríguez, María Elena
dc.date.accessioned2024-01-12T12:24:09Z
dc.date.available2024-01-12T12:24:09Z
dc.date.issued2019
dc.identifier.citationCuenca Rodríguez, M.E. (2019). A Spanish composite Rex Virginum Mass and the Beata Virgine Maria Mass tradition in Europe. Early Music, XVIII (3)es_ES
dc.identifier.issn0306-1078
dc.identifier.urihttp://hdl.handle.net/10366/154180
dc.description.abstract[EN]Concepts of ‘centre’ and ‘periphery’ in Renaissance music studies have sometimes been the cause of oversights concerning points of contact and cultural exchange between the musical ‘mainstream’—represented by the northern European and Italian circles—and the Spanish kingdoms. Musicians from the Iberian Peninsula—among them, Francisco de Peñalosa—were well aware of musical developments in the Franco-Netherlandish polyphonic tradition, and incorporated some of these into their Mass composition throughout the 16th century. This article presents a case study of the Rex Virginum composite Mass, with sections by Pedro de Escobar, Francisco de Peñalosa, Pedro Hernández [de Castilleja] and Alonso Pérez de Alba. This Mass is directly connected with the popularity of votive Beata Virgine Maria Masses composed by Franco-Netherlandish and later Spanish composers. In order to shed more light on the significance of this work, the different musical styles of each composer involved in its creation are examined, and the Mass compared with other Beata Virgine Maria models. Through this analysis, the distinct musical contribution of this Mass in the context of European Renaissance music, and its influence on later generations of Spanish composers—especially Francisco Guerrero—are examinedes_ES
dc.language.isoenges_ES
dc.publisherOxford University Presses_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMúsica de iglesiaes_ES
dc.subjectSiglo 15o.
dc.subjectEspaña
dc.titleA Spanish composite Rex Virginum Mass and the Beata Virgine Maria Mass tradition in Europees_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.relation.publishversionhttps://doi.org/10.1093/em/caz047
dc.subject.unesco6203.06 Música, Musicologíaes_ES
dc.identifier.doi10.1093/em/caz047
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.journal.titleEarly musices_ES
dc.volume.numberXVIIIes_ES
dc.issue.number3es_ES
dc.page.initial291es_ES
dc.page.final305es_ES
dc.type.hasVersioninfo:eu-repo/semantics/acceptedVersiones_ES


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Attribution-NonCommercial-NoDerivatives 4.0 Internacional
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