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Título
Media Art in the Ibero-American Context
Autor(es)
Palabras clave
Media Art
Media Art Histories
Video Art
Electrographic Art
Ibero-American
MIDE
Clasificación UNESCO
5506.02 Historia del Arte
6203 Teoría, Análisis y Critica de las Bellas Artes
3307 Tecnología Electrónica
Fecha de publicación
2017
Editor
Department of Visual Design, Universidad de Caldas, Manizales, Colombia
Citación
Caerols Mateo, R., & Escribano Belmar, B. (2017). Media Art in the Ibero-American Context. ISEA 2017. BIO-CREATION AND PEACE. Proceedings of the 23rd International Symposium on Electronic Arts, Universidad de Caldas, Manizales, Colombia
Resumen
[EN] Any historiographic effort on Media Art shows the complexity of its own conceptualization regarding those artistic practices that it involves, since there is not unanimity between experts and researchers about this topic as it is shown in the media art history meetings (http://www.mediaarthistory.org/). Neither a consensual taxonomy in these artistic practices. However, one of the most relevant is the taxonomy
completed by Professor José Ramón Alcalá, MIDE´s director and a ground-breaking in the subject of electrographic art in Spain. Taking his taxonomy as a reference, we can resolve that Video art and
Electrographic Art, both started in the 60’s but developed in the 70’s and 80’s, were some of the artistic practices that brought the first ideas of Media Art in Spain and Latin America. Regarding to Video art, some
of the pioneer artists and researchers were Eugeni Bonet, Joaquín Dols, Antoni Mercader and Antoni Muntadas, as can be seen in the historic book En torno al video. With respect to Electrographic Art, some of the pioneers were Paulo Bruscky, Clemente Padín, Humberto Jardón and José Ramón Alcalá with the International Museum of Electrographic Artworks (MIDE) in Cuenca, the most important example adding the collection of this unique museum.
URI
ISBN
978-958-759-161-3
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Actas-ISEA-2017-Colombia