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dc.contributor.authorOlarte Martínez, Matilde María 
dc.date.accessioned2024-02-16T13:59:50Z
dc.date.available2024-02-16T13:59:50Z
dc.date.issued2019
dc.identifier.urihttps://www.unl.pt/en/study/doctoral-school/about-doctoral-school
dc.identifier.urihttp://hdl.handle.net/10366/155864
dc.description.abstractThe españolísima female identity, in Spanish Films form the 40s to the 60s, was an essential element for integrated musical numbers on musical films; this singers performed the importance of popular songs in the musical number, just in the films produced in Spain from the first years of the dictatorship to the last years of the 60s, just before beginning of the democracy in the 70s.es_ES
dc.language.isoenges_ES
dc.publisherPrograma de Doctorado Music and Nationalism Today. Ethnomusicology and Cultural Policy in the Transition to Democracy, 2018-2019es_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMúsica aplicadaes_ES
dc.subjectEtnomusicolgía españolaes_ES
dc.subjectMúmero musical integradoes_ES
dc.subjectEstudios de géneroes_ES
dc.subjectGender studieses_ES
dc.subjectApplied musices_ES
dc.subjectSpanish ethnomusicologyes_ES
dc.subjectIntegrated musical showes_ES
dc.titleThe españolísima female identity in integrated musical numbers for Spanish filmses_ES
dc.typeinfo:eu-repo/semantics/lecturees_ES
dc.subject.unesco5101.04 Etnomusicologíaes_ES
dc.subject.unesco6203.06 Música, Musicologíaes_ES
dc.subject.unesco6203.01 Cinematografíaes_ES
dc.relation.projectIDSA004G19 J440; 18 KBHC/463AC01; HAR2017-82413-R; EIN2020-112348es_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


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