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dc.contributor.authorOlarte Martinez, Matilde María 
dc.date.accessioned2024-02-20T12:45:26Z
dc.date.available2024-02-20T12:45:26Z
dc.date.issued2015
dc.identifier.urihttp://www.filmmusik.uni-kiel.de/
dc.identifier.urihttp://hdl.handle.net/10366/155945
dc.description.abstractWith this short position paper, I want to show the importance of the musical number as a predominant theme in comedy, and in this particular case, regarding a media phenomenon in which we are immersed practically all over the world and not only in Spain or Europe: the creation of female identities through musical numbers by young singers on television programs.es_ES
dc.language.isoenges_ES
dc.publisherX. Symposion zur Filmmusikforschung Identität und Filmmusikes_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMúsica aplicadaes_ES
dc.subjectCanción españolaes_ES
dc.subjectEtnomusicología españolaes_ES
dc.subjectApplied musices_ES
dc.subjectSpanish songes_ES
dc.subjectSpanish musicologyes_ES
dc.titlePopular Spanish songs in Spanish musical films during five decades of three political systems: unifying our plural identityes_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectes_ES
dc.subject.unesco6203.06 Música, Musicologíaes_ES
dc.subject.unesco5101.04 Etnomusicologíaes_ES
dc.subject.unesco6203.01 Cinematografíaes_ES
dc.relation.projectIDHAR2013-48181-C2-2-Res_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


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