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| dc.contributor.author | Olarte Martinez, Matilde María | |
| dc.date.accessioned | 2024-02-20T15:05:14Z | |
| dc.date.available | 2024-02-20T15:05:14Z | |
| dc.date.issued | 2014 | |
| dc.identifier.citation | Olarte Martínez, M.M. Analyzing Film Music: Working-on-Progress. En: Dipartamento di Beni Culturali: archeologia, storia dell’arte, del cinema e della musica de la Università degli Studi di Padova (Italia), 2014 | es_ES |
| dc.identifier.uri | http://hdl.handle.net/10366/155967 | |
| dc.description.abstract | [En] In this seminar we are going to make an introduction on the evolution of the musical films. Afterward, we are going to see the hypothesis of a forth new typology, with four perspectives: utopia versus reality; film adaptations of literary works; the supremacy of music; and a small musical number in a great movie. | es_ES |
| dc.language.iso | eng | es_ES |
| dc.publisher | En: Dipartimento di Beni Culturali: archeologia, storia dell’arte, del cinema e della musica de la Università degli Studi di Padova (Italia) | es_ES |
| dc.rights | Attribution-NonCommercial-NoDerivatives 4.0 Internacional | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/4.0/ | * |
| dc.subject | música aplicada | es_ES |
| dc.subject | música e imagen | es_ES |
| dc.title | Analyzing Film Music: Working-on-Progress | es_ES |
| dc.type | info:eu-repo/semantics/lecture | es_ES |
| dc.subject.unesco | 6203.01 Cinematografía | es_ES |
| dc.subject.unesco | 6203.06 Música, Musicología | es_ES |
| dc.relation.projectID | HAR2013-48181-C2-2-R | es_ES |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |








