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dc.contributor.authorOlarte Martinez, Matilde María 
dc.date.accessioned2024-02-20T15:05:14Z
dc.date.available2024-02-20T15:05:14Z
dc.date.issued2014
dc.identifier.citationOlarte Martínez, M.M. Analyzing Film Music: Working-on-Progress. En: Dipartamento di Beni Culturali: archeologia, storia dell’arte, del cinema e della musica de la Università degli Studi di Padova (Italia), 2014es_ES
dc.identifier.urihttp://hdl.handle.net/10366/155967
dc.description.abstract[En] In this seminar we are going to make an introduction on the evolution of the musical films. Afterward, we are going to see the hypothesis of a forth new typology, with four perspectives: utopia versus reality; film adaptations of literary works; the supremacy of music; and a small musical number in a great movie.es_ES
dc.language.isoenges_ES
dc.publisherEn: Dipartimento di Beni Culturali: archeologia, storia dell’arte, del cinema e della musica de la Università degli Studi di Padova (Italia)es_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectmúsica aplicadaes_ES
dc.subjectmúsica e imagenes_ES
dc.titleAnalyzing Film Music: Working-on-Progresses_ES
dc.typeinfo:eu-repo/semantics/lecturees_ES
dc.subject.unesco6203.01 Cinematografíaes_ES
dc.subject.unesco6203.06 Música, Musicologíaes_ES
dc.relation.projectIDHAR2013-48181-C2-2-Res_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


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