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dc.contributor.authorOlarte Martinez, Matilde María 
dc.date.accessioned2024-02-21T08:34:22Z
dc.date.available2024-02-21T08:34:22Z
dc.date.issued2011
dc.identifier.uri. https://lettres.sorbonne-universite.fr/faculte-des-lettres/ufr/ufr-de-musique-et-musicologie
dc.identifier.urihttp://hdl.handle.net/10366/155986
dc.description.abstractThe purpose of this seminar is to discuss the role/image of Spanish women as creators and interpreters/performers of vocal and instrumental music and the significance of their work. When we refer to music, we are referring to both “cultivated” (serious) music and popular music, as no one can deny their role in improvisation and in the deep musical roots associated with their everyday chores. In order to describe these images we will point out some specific examples of the musical activity carried out by women in Prehistoric times, in Roman Spain and in both the Arabic and Jewish cultures that have prevailed/continue to survive in oral tradition.es_ES
dc.language.isoenges_ES
dc.publisherDepartamento de Musicología, Université Paris Sorbonne Paris IV (París, Francia)es_ES
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMujeres músicases_ES
dc.subjectEtnomusicología españolaes_ES
dc.subjectSpanish ethnomusicologyes_ES
dc.subjectMusician womenes_ES
dc.titleThe identity role of Spanish women making music. From the Middle Age to the Romantic Periodes_ES
dc.typeinfo:eu-repo/semantics/lecturees_ES
dc.subject.unesco6203.06 Música, Musicologíaes_ES
dc.subject.unescoetnomuses_ES
dc.relation.projectIDHAR2010-15165; HAR2010-11690-E; HAR2011-15391es_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


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