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dc.contributor.author | Rodríguez Loro, Nora | |
dc.date.accessioned | 2024-04-03T08:51:34Z | |
dc.date.available | 2024-04-03T08:51:34Z | |
dc.date.issued | 2015 | |
dc.identifier.citation | Rodríguez Loro, Nora. “Calderón’s and Wycherley’s Dancing-masters". English and American Studies in Spain: New Developments and Trends. Alberto Lázaro Lafuente y María Dolores Porto Requejo (editores). Servicio de Publicaciones de la Universidad de Alcalá pp. 136-143 | es_ES |
dc.identifier.isbn | 978-84-16599-11-0 | |
dc.identifier.uri | http://hdl.handle.net/10366/156993 | |
dc.description.abstract | Wycherley’s second comedy, The Gentleman Dancing-Master, is loosely based upon the central plot of Pedro Calderón’s El maestro de danzar, which is adapted to produce a comedy of wit in line with the theatrical fashions of the 1670s. The purpose of this paper is to analyse Wycherley’s use of his source and to identify the characters, and introducing a cynical view of marriage. | es_ES |
dc.language.iso | eng | es_ES |
dc.publisher | Alberto Lázaro Lafuente, María Dolores Porto Requejo | es_ES |
dc.subject | adaptation | es_ES |
dc.subject | El maestro de danzar | es_ES |
dc.subject | Calderón | es_ES |
dc.subject | The Gentleman Dancing-Master | es_ES |
dc.subject | Wycherley | es_ES |
dc.subject | Spanish comedia | es_ES |
dc.subject | Restoration theatre | es_ES |
dc.subject | comparative literature | es_ES |
dc.title | "Calderón’s and Wycherley’s Dancing-masters" | es_ES |
dc.type | info:eu-repo/semantics/bookPart | es_ES |
dc.subject.unesco | 5506.13 Historia de la Literatura | es_ES |
dc.subject.unesco | 5505.10 Filología | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |