Canada and Beyond, 2021, vol. 10

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Writing the Queer Caribbean / Canada / Beyond – A Conversation with H. Nigel Thomas

Corridon, Linzey (2022-10-10)

Artículo
Cockadoodle Nonsense?

Thomas, H. Nigel (2022-10-10)

Artículo
"Caribbean Flex," "Nice for What," and "Prologue"

Book, Shane (2022-10-10)

Artículo
"All your Contacts are Dead"

Chancy, Myriam J. A. (2022-10-10)

Artículo
"Man, I know 'bout you": A Reminiscence of Austin Clarke

Dabydeen, Cyril (2022-10-10)

Artículo
A Writer of Relation

Chamoiseau, Patrick; Hébert, Lyse (2022-10-10)

Artículo
"In the Middle of the Burning," and "This that We Have"

Lubrin, Canisia (2022-10-10)

Artículo
Backbone

Wint, Brandon (2022-10-10)

Artículo
Staff

Canada & Beyond, Editorial Secretary (2022-10-10)

Artículo
Editorial

Fraile Marcos, Ana María; Darias-Beautell, Eva (2022-10-10)

Artículo
Table of Contents

Canada & Beyond, Editorial Secretary (2022-10-10)

Artículo
Imagining the [Unbounded] Grounds of [Caribbean Canadian] Consciousness

Bogle, Cornel; Bucknor, Michael A. (2022-10-10)

Artículo
Situating the Ecological in Dionne Brand's Ossuaries

Aiyegbusi, Titilola (2022-10-10)

Artículo
"There is no solid ground beneath us": The Shoals and Detours of Nalo Hopkinson's "The Glass Bottle Trick," "Precious," and "Greedy Choke Puppy"

Gerber, Lizette (2022-10-10)

Artículo
Alterity, Recognition and Performance: The Queer and the Animal in Makeda Silvera's "Caribbean Chameleon"

Cuadrado Payeras, Lidia María (2022-10-10)

Artículo
"Usable Paradoxical Space": Negotiating Captivity and the Gaze in Michelle Mohabeer's film Blu in You

Smyth, Heather (2022-10-10)

Artículo
From Paris and Rome to Quebec - Reading Fanon in Radical Montreal Intellectual Circles of the 1960s

Obszyński, Michał (2022-10-10)

Artículo
Contributors

Canada & Beyond, Editorial Secretary (2022-10-10)

Artículo

Canada and Beyond, 2021, vol. 10

Listar por

Envíos recientes

Writing the Queer Caribbean / Canada / Beyond – A Conversation with H. Nigel Thomas ﻿

Cockadoodle Nonsense? ﻿

"Caribbean Flex," "Nice for What," and "Prologue" ﻿

"All your Contacts are Dead" ﻿

"Man, I know 'bout you": A Reminiscence of Austin Clarke ﻿

A Writer of Relation ﻿

"In the Middle of the Burning," and "This that We Have" ﻿

Backbone ﻿

Staff ﻿

Editorial ﻿

Table of Contents ﻿

Imagining the [Unbounded] Grounds of [Caribbean Canadian] Consciousness ﻿

Situating the Ecological in Dionne Brand's Ossuaries ﻿

"There is no solid ground beneath us": The Shoals and Detours of Nalo Hopkinson's "The Glass Bottle Trick," "Precious," and "Greedy Choke Puppy" ﻿

Alterity, Recognition and Performance: The Queer and the Animal in Makeda Silvera's "Caribbean Chameleon" ﻿

"Usable Paradoxical Space": Negotiating Captivity and the Gaze in Michelle Mohabeer's film Blu in You ﻿

From Paris and Rome to Quebec - Reading Fanon in Radical Montreal Intellectual Circles of the 1960s ﻿

Contributors ﻿

Writing the Queer Caribbean / Canada / Beyond – A Conversation with H. Nigel Thomas

Cockadoodle Nonsense?

"Caribbean Flex," "Nice for What," and "Prologue"

"All your Contacts are Dead"

"Man, I know 'bout you": A Reminiscence of Austin Clarke

A Writer of Relation

"In the Middle of the Burning," and "This that We Have"

Backbone

Staff

Editorial

Table of Contents

Imagining the [Unbounded] Grounds of [Caribbean Canadian] Consciousness

Situating the Ecological in Dionne Brand's Ossuaries

"There is no solid ground beneath us": The Shoals and Detours of Nalo Hopkinson's "The Glass Bottle Trick," "Precious," and "Greedy Choke Puppy"

Alterity, Recognition and Performance: The Queer and the Animal in Makeda Silvera's "Caribbean Chameleon"

"Usable Paradoxical Space": Negotiating Captivity and the Gaze in Michelle Mohabeer's film Blu in You

From Paris and Rome to Quebec - Reading Fanon in Radical Montreal Intellectual Circles of the 1960s

Contributors