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| dc.contributor.author | Leone, Clarissa Maria | |
| dc.date.accessioned | 2026-02-10T08:37:15Z | |
| dc.date.available | 2026-02-10T08:37:15Z | |
| dc.date.issued | 2025 | |
| dc.identifier.isbn | 979-13-7006-548-5 | |
| dc.identifier.uri | http://hdl.handle.net/10366/169674 | |
| dc.description | Libro: Aventureras sin mapa. Trayectorias oblicuas en los márgenes del canon. Colección "Escritoras y Escrituras" (Cap. pp. 381- 391). | es_ES |
| dc.description.abstract | Olivier Chantal establishes herself in the second half of the 19th century as a multifaceted figure: a curious traveler, muse, sensitive writer and keen observer of bourgeois society. In the novel Il bell’Orlando, she masterfully portrays the conflict between love and the pursuit of material wealth, a tension that profoundly transforms the protagonists of her works, revealing the contradictions of an era marked by change and the search for new values. | es_ES |
| dc.language.iso | ita | es_ES |
| dc.publisher | Dykinson | es_ES |
| dc.rights | Attribution-NoDerivatives 4.0 Internacional | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nd/4.0/ | * |
| dc.subject | Il bell’Orlando | es_ES |
| dc.subject | Olivier Chantal | es_ES |
| dc.subject | Teresella Cardelli | es_ES |
| dc.subject | 19th century | es_ES |
| dc.title | Olivier Chantal: poliedricità creativa e manipolazione emotiva nei suoi personaggi. | es_ES |
| dc.type | info:eu-repo/semantics/bookPart | es_ES |
| dc.subject.unesco | 6202 Teoría, Análisis y Crítica Literarias | es_ES |
| dc.rights.accessRights | info:eu-repo/semantics/closedAccess | es_ES |
| dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |








