dc.contributor.author | Monleón, José, 1927- | es_ES |
dc.date.accessioned | 2009-10-09T13:36:28Z | |
dc.date.available | 2009-10-09T13:36:28Z | |
dc.date.issued | 1964-09-19 | es_ES |
dc.identifier.citation | Triunfo. Año XIX, n. 120 (19 sep. 1964),p. 52-61 | es_ES |
dc.identifier.uri | http://hdl.handle.net/10366/36424 | |
dc.format.extent | 10 páginas | es_ES |
dc.format.mimetype | application/pdf | es_ES |
dc.language | Español | es_ES |
dc.language.iso | spa | es_ES |
dc.relation.requires | Adobe Acrobat | es_ES |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Unported | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | |
dc.subject | Cine | es_ES |
dc.subject | Festivales cinematográficos | es_ES |
dc.subject | Festival Internacional de Cine de Venecia (Italia) | es_ES |
dc.title | Venecia 64: ¿Hacia una nueva época del cine? | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
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