| dc.date.accessioned | 2009-10-09T15:21:08Z | |
| dc.date.available | 2009-10-09T15:21:08Z | |
| dc.date.issued | 1968-01-13 | es_ES |
| dc.identifier.citation | Triunfo. Año XXII, n. 293 (13 en. 1968),p. 30-38 | es_ES |
| dc.identifier.uri | http://hdl.handle.net/10366/38497 | |
| dc.format.extent | 9 páginas | es_ES |
| dc.format.mimetype | application/pdf | es_ES |
| dc.language | Español | es_ES |
| dc.language.iso | spa | es_ES |
| dc.relation.requires | Adobe Acrobat | es_ES |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Unported | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | |
| dc.subject | Cine | es_ES |
| dc.subject | Crítica cinematográfica | es_ES |
| dc.subject | Freeman, Robert (fotógrafo) | es_ES |
| dc.subject | The Touchables | es_ES |
| dc.title | The Touchables | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
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