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| dc.contributor.author | Chao, Ramón, 1935- | es_ES |
| dc.date.accessioned | 2009-10-10T16:41:12Z | |
| dc.date.available | 2009-10-10T16:41:12Z | |
| dc.date.issued | 1980-11-01 | es_ES |
| dc.identifier.citation | Triunfo. Año XXXIV, n. 1 (1 nov. 1980),p. 86-89 | es_ES |
| dc.identifier.uri | http://hdl.handle.net/10366/53713 | |
| dc.format.extent | 4 páginas | es_ES |
| dc.format.mimetype | application/pdf | es_ES |
| dc.language | Español | es_ES |
| dc.language.iso | spa | es_ES |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Unported | |
| dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | |
| dc.subject | Música | es_ES |
| dc.subject | Crítica musical | es_ES |
| dc.subject | Música clásica | es_ES |
| dc.subject | Ópera | es_ES |
| dc.title | La resurrección de lo ópera | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |








