2026-09-15T23:39:18Zhttps://gredos.usal.es/oai/request
oai:gredos.usal.es:10366/1018762022-02-07T15:00:26Zcom_10366_4246com_10366_4200com_10366_3946com_10366_3823col_10366_4247
Gestión del Repositorio Documental de la Universidad de Salamanca author Olarte Martínez, Matilde María 2011-10-11T08:47:48Z 2011-10-11T08:47:48Z 1992 Olarte Martínez, M. (1992). La forma musical de la lamentación. Anuario Musical, LXVII, 81-101. 0211-3538 http://hdl.handle.net/10366/101876 [ES] Las lamentaciones forman parte de los maitines del triduo pascual. Desde la baja edad media se han escrito repertorios de lamentaciones monódicas, algunos de ellos con claras concordancias con salmos penitenciales judíos (como ha señalado Werner). A partir del renacimiento se escriben lamentaciones polifónicas combinando pasajes silábicos y melismáticos, permaneciendo siempre un cantus firmus basado en los materiales monódicos anteriores. [EN] Lamentations are part of the Matins of the Easter Triduum. From the late Middle Ages were written monodic repertoires for lamentations, some of them with clear concomitances with Jewish penitencial psalms (as noted by Werner). From Renaissance polyphonic lamentations written syllabic and melismatic passages combining, always remaining a cantus firmus based on monodic previous materials. spa Attribution-NonCommercial-NoDerivs 3.0 Unported Lamentaciones Música Religión España Lamentations Music Spain Religion La forma musical de la lamentación info:eu-repo/semantics/article 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 URL https://gredos.usal.es/bitstream/10366/101876/1/DDEMPC_Olarte_Martinez_M_La_forma_musical_de_la_lamentacion.pdf File MD5 53581873cc5c12ad023cdb0cf4fbcb24 951782 application/pdf DDEMPC_Olarte_Martinez_M_La_forma_musical_de_la_lamentacion.pdf URL https://gredos.usal.es/bitstream/10366/101876/5/DDEMPC_Olarte_Martinez_M_La_forma_musical_de_la_lamentacion.pdf.txt File MD5 121676a90b12ca95e9845b1ae713031c 1154 text/plain DDEMPC_Olarte_Martinez_M_La_forma_musical_de_la_lamentacion.pdf.txt