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oai:gredos.usal.es:10366/1159522025-06-05T12:40:28Zcom_10366_4414com_10366_4395com_10366_3946com_10366_3823col_10366_4415

00925njm 22002777a 4500 dc Barrios Herrero, Olga author 1996 [ES] Este ensayo intenta demostrar que, aunque la dramaturga Gcina Mhlophe insiste en que sus obras no son políticas, mediante la presentación de su experiencia personal y legado de su herencia negra sudafricana (danza, oralidad, canciones), muestra la existencia de una cultura sudafricana en un momento histórico en el que el apartheid intentaba borrar cualquier vestigio de una cultura que no fuera la occidental. [EN] This essay tries to show that, although Gcina Mhlophe insists on her plays not being about politics, through the presentation of her personal experience and the legacy of her traditional Black South African heritage (dance, orality, songs), she asserts the existence of a Black South African culture at a time where apartheid was trying to erase any trace of any culture other than the one existing in the Western world. Barrios Herrero, O. (1996). Gcina Mhlophe’s Have You Seen Zandile? The Black South African Tradition as a Political Statement. En Estudios de la mujer en el ámbito de los países de habla inglesa. Volumen II, pp. 102-111. Madrid: Universidad Complutense. http://hdl.handle.net/10366/115952 Gcina Mhlophe Have You Seen Zandile? Black South African Theatre Teatro negro sudafricano Black South African Women Playwrights Dramaturgas negras sudafricanas Gcina Mhlophe’s Have You Seen Zandile? The Black South African Tradition as a Political Statement