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Barrios Herrero, Olga 2013-06-05T06:42:08Z 2013-06-05T06:42:08Z 2013-06-05 2012 2168-4995 http://hdl.handle.net/10366/121939 Barrios, O. 2012. Male Violence Against Women and Hybrid Identities in Post-Apartheid South African Black Theatre. International Journal of Arts Vol.2, No.5, (October), 39-48. [ES] En este ensayo se analiza el papel fundamental que juegan las dramaturgas negras sudafricanas en la creación de una conciencia orientada al cambio social; la representación de las principales preocupaciones de las mujeres negras sobre abusos machistas, la violencia y discriminación racista de la sociedad sudafricana; y la consiguiente lucha de las mujeres negras para encontrar su propio espacio y dignidad como mujeres, mientras afirman su identidad como exponentes de una nueva sociedad híbrida la Sudáfrica actual. [EN] This essay analyzes the pivotal role of contemporary black South African women playwrights in creating audience awareness geared towards social change; the depiction of black women’s main concerns on suffering male abuse and violence and society’s racist discrimination; and the ensuing struggle of black women to find their own space and dignity as women while asserting their identity as exponents of a new hybridized society in contemporary South Africa. application/pdf Español eng Attribution-NonCommercial-NoDerivs 3.0 Unported https://creativecommons.org/licenses/by-nc-nd/3.0/ info:eu-repo/semantics/openAccess Black South African Female Playwrights Dramaturgas negras sudafricanas Black Women Playwrights Dramaturgas negras Black Theatre Teatro negro Black South African Theatre Teatro negro sudafriicano Male Abuse Against Women VIolencia machista Hybrid Identities Identidades mestizas Male Violence Against Women and Hybrid Identities in Post-Apartheid South African Black Theatre info:eu-repo/semantics/article info:eu-repo/semantics/article