2026-09-14T20:18:14Zhttps://gredos.usal.es/oai/requestoai:gredos.usal.es:10366/1249362025-04-30T21:35:36Zcom_10366_124924com_10366_123149com_10366_123148com_10366_3823col_10366_124925
Gestión del Repositorio Documental de la Universidad de Salamanca
author
Vives-Ferrándiz Sánchez, Luís
2014-12-09T10:19:41Z
2014-12-09T10:19:41Z
2014
Vives-Ferrándiz Sánchez, L. (2014). La gran pantalla del mundo: la lógica barroca del capitalismo de ficción. Caracteres Estudios culturales y críticos de la esfera digital, 3 nº1 (10)
2254-4496
http://hdl.handle.net/10366/124936
[ES] El presente artículo estudia la lógica barroca que subyace en la narrativa visual de la presidencia de Barack Obama en la cuenta oficial de la Casa Blanca en Flickr. La fusión entre realidad y ficción, el policentrismo, el pliegue de Deleuze, las metaimágenes, la estética de la repetición o la melancolía son algunos de los temas neobarrocos que cristalizan en la propuesta del nuevo capitalismo: transmitir ficciones a escala global. [EN] The aim of the present paper is to study the Baroque logic that lies beneath the visual narrative of Barack Obama’s presidency in the official account of the White House in Flickr. The confusion between reality and fiction, polycentrism, Deleuze’s fold, meta-images, the aesthetics of repetition and melancholy are, among others, neo-baroque topics that crystallize in the proposal of new capitalism: streaming fictions globally.
spa
Attribution-NonCommercial-NoDerivs 3.0 Unported
Obama
Flicker
Post-photography
Neo-baroque
Screen
Postfotografía
Neobarroco
Pantalla
La gran pantalla del mundo: la lógica barroca del capitalismo de ficción
info:eu-repo/semantics/article
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Caracteresvol3n1mayo2014-logica-barroca-capitalismo-ficcion.pdf.txt