2026-08-24T21:51:42Zhttps://gredos.usal.es/oai/requestoai:gredos.usal.es:10366/1280432025-04-30T21:03:14Zcom_10366_127082com_10366_4666com_10366_3823col_10366_127993
Gestión del Repositorio Documental de la Universidad de Salamanca
author
Sánchez Martínez, Francisca
2016-04-26T07:51:46Z
2016-04-26T07:51:46Z
2015-12-01
1616: Anuario de Literatura Comparada, 5 (2015)
0210-7287
http://hdl.handle.net/10366/128043
[EN]The Hispano-American Narrative of the nineties inaugurates a new paradigm in which the notion of homeland is exceded as the space determining the identity and as the unique place for the writer to write from. The writers born from the sixties on, built up their fiction from global logic, negating their belonging to the only cultural tradition. This essay analyses how Andrés Neuman, an Hispano-Argentinian writer, elaborates in his first novel Bariloche –as in his whole own narrative– a spatiality which is a reflection of the way contemporaneity dynamics affect individual identity.
spa
Attribution-NonCommercial-NoDerivs 3.0 Unported
Literatura
Hispanoamericana
Des(re)territorialización
Globalización
Espacio
Narrativa
Hispanoamerican Literature
De(re)territorialization
Globalization
Space
Narrative
«Horizonte de fragmentos»: espacio e identidad en Bariloche, de Andrés Neuman
info:eu-repo/semantics/article
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URL
https://gredos.usal.es/bitstream/10366/128043/1/%c2%abHorizonte_de_fragmentos%c2%bb_espacio_e_iden.pdf
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«Horizonte_de_fragmentos»_espacio_e_iden.pdf
URL
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«Horizonte_de_fragmentos»_espacio_e_iden.pdf.txt