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<mods:identifier type="citation">Cuadernos Dieciochistas, 16 (2015)</mods:identifier>
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<mods:abstract>There were no stable orchestras in Madrid’s public theatres during the first half of the Eighteenth Century, and a variable number of instrumentalists were used on each occasion. This paper discusses the development of the two town-owned theatres in the second half of the century, when the orchestra was considered an important element and a new way of hiring musicians developed, based on sources kept at the Archivo de Villa de Madrid, Sección de Secretaría./nRené Andioc and Mireille Coulon in their Cartelera teatral madrileña del siglo XVIII: (1708-1808) refer to the companies that worked in both theatres in the second half of the 18th Century, those of de Josef de Parra, María Hidalgo, José Martínez Gálvez, Juan Ángel, Águeda de la Calle, María Ladvenant, Nicolás de la Calle, Juan Ponce, Manuel Martínez, Eusebio Ribera, Joaquín Palomino, Luis Navarro and Francisco Ramo, although they do not study the orchestral musicians. The first study on this issue is that by José Máximo Leza «Las orquestas de ópera en Madrid entre los siglos XVIII-XIX», although it does not discuss the theatres of La Cruz and El Príncipe in the second half of the century.</mods:abstract>
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<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-NoDerivs 3.0 Unported</mods:accessCondition>
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<mods:topic>Historia</mods:topic>
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<mods:topic>Literatura</mods:topic>
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<mods:subject>
<mods:topic>Pensamiento</mods:topic>
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<mods:topic>Arte</mods:topic>
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<mods:subject>
<mods:topic>Ciencia</mods:topic>
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<mods:topic>Siglo dieciocho</mods:topic>
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<mods:topic>History</mods:topic>
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<mods:topic>Literature</mods:topic>
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<mods:topic>Thought and thinking</mods:topic>
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<mods:topic>Arts. Science</mods:topic>
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<mods:subject>
<mods:topic>Eighteenth century</mods:topic>
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<mods:titleInfo>
<mods:title>Las orquestas de los coliseos madrileños Príncipe y Cruz durante la segunda mitad del siglo XVIII</mods:title>
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