2026-09-16T05:54:15Zhttps://gredos.usal.es/oai/requestoai:gredos.usal.es:10366/1323622025-04-30T21:15:39Zcom_10366_129329com_10366_127113com_10366_4666com_10366_3823col_10366_132346
Gestión del Repositorio Documental de la Universidad de Salamanca
author
Vicente Torrico, David
2017-02-03T10:25:05Z
2017-02-03T10:25:05Z
2016-12-01
Fonseca, Journal of Communication, 13 (2016)
2172-9077
http://hdl.handle.net/10366/132362
Last year, the cinematographic exhibition grossed 571 million Euros and congregated more than 94 million spectators. Nowadays, however, this business cannot stay at the edge of the fourth screen’s revolution, that is to say, mobile phones. In a market controlled by two big enterprises, namely Cinesa and Yelmo, we propose a qualitative study of its digital applications, considering their design, their accessibility and their features, with the goal of verifying their adaptation to this new digital environment. The results will show an emerging opening. Nevertheless, numerous services must be implemented to enhance the spectator’s cinematographic experience.
spa
Attribution-NonCommercial-NoDerivs 3.0 Unported
Comunicación
Communication
La pantalla de cine abandona la sala
info:eu-repo/semantics/article
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URL
https://gredos.usal.es/bitstream/10366/132362/1/La_pantalla_de_cine_abandona_la_sala.pdf
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La_pantalla_de_cine_abandona_la_sala.pdf
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https://gredos.usal.es/bitstream/10366/132362/4/La_pantalla_de_cine_abandona_la_sala.pdf.txt
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text/plain
La_pantalla_de_cine_abandona_la_sala.pdf.txt