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<dc:creator>González García, Carmen</dc:creator>
<dc:date>2015</dc:date>
<dc:description>[EN]This contribution analyzes the uses of time linked to materials&#xd;
in contemporary art practices. In the first part of the argument I consider&#xd;
the significance of the contemporary turning away from the normative idea&#xd;
that time should be external or non-intrinsic to fine or visual artworks. The&#xd;
change in mentality concerning the value of time in these works of art has&#xd;
been especially transforming among artists and opened up new opportunities&#xd;
for their creative work. I am particularly interested in the possibilities of&#xd;
an aesthetic translation of the human experience of time into the so-called&#xd;
spatial artworks through the intervention of changeable, non-permanent&#xd;
or non-lasting materials. When time ceases to be seen as a destructive element&#xd;
whose intervention should be avoided, or as a simple subject that the&#xd;
picture tries to depict, it can then be regarded as any other artistic material&#xd;
or as working inside the artistic materials as an active element that&#xd;
can attain a high impact on the final solution of the artistic process. Consequently,&#xd;
artists, viewers, art conservation institutions and so on ought to&#xd;
acknowledge that the temporal nodes should always count as a significant&#xd;
aesthetic component and that the performative temporal dimension is intimately&#xd;
linked to the amplification of the material possibilities in the creative&#xd;
process. In connection with this, I discuss the blurring of the difference&#xd;
between the real and the representational in art practices and how that affects&#xd;
the very presence of temporal dimensions. The paper concludes with&#xd;
the proposal of a new temporal level in works of art that modifies (our temporal&#xd;
understanding of) the identity of the work.</dc:description>
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<dc:identifier>http://hdl.handle.net/10366/132710</dc:identifier>
<dc:language>eng</dc:language>
<dc:publisher>European Society for Aesthetics (Friburgo, Suiza)</dc:publisher>
<dc:title>Facing the Real: Timeless Art and Performative Time</dc:title>
<dc:type>info:eu-repo/semantics/article</dc:type>
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