2026-09-16T00:55:30Zhttps://gredos.usal.es/oai/requestoai:gredos.usal.es:10366/1425612025-06-05T12:36:20Zcom_10366_127121com_10366_127113com_10366_4666com_10366_3823col_10366_127131
Gestión del Repositorio Documental de la Universidad de Salamanca
author
Redondo Neira, Fernando
2020-03-16T12:47:51Z
2020-03-16T12:47:51Z
2015-12-01
Fonseca, Journal of Communication, 11 (2015)
2172-9077
http://hdl.handle.net/10366/142561
The film studied here, Arraianos (Eloi Enciso, 2012), runs around a crossroad where the fictional and documentary converge, where a strong anti-naturalistic representation of a space and the human group that inhabits it are compared, and a willingness to visual inquiry into that space where traces of a mythical past that has been forming it still remains. Built on the material of the physical space that explores and interrogates, Arraianos displays a speech, also built on the telluric and the popular, it strives to realize the frontier character of that place, A Raia, between Galicia and Portugal, limit territory that has managed to build its own identity. The analysis we make of Arraianos should be focus on, therefore, with the help of the marks that report their hybrid nature. The film analysis we intend to carry out must, therefore, take into account this other space to which the film opens, that of a certain importance that does not avoid the big questions, at a time that will need to pay attention to a film it is located on the explored territory, based both on the telluric and the popular.
spa
info:eu-repo/semantics/openAccess
Comunicación
Communication
Identidades al margen y en los márgenes. Frontera y laberinto en Arraianos (Eloi Enciso, 2012)
info:eu-repo/semantics/article
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URL
https://gredos.usal.es/bitstream/10366/142561/1/Identidades_al_margen_y_en_los_margenes_.pdf
File
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Identidades_al_margen_y_en_los_margenes_.pdf
URL
https://gredos.usal.es/bitstream/10366/142561/5/Identidades_al_margen_y_en_los_margenes_.pdf.txt
File
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Identidades_al_margen_y_en_los_margenes_.pdf.txt