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oai:gredos.usal.es:10366/1429012023-01-30T08:55:26Zcom_10366_4477com_10366_4395com_10366_3946com_10366_3823com_10366_4586com_10366_4576col_10366_4478col_10366_4587

García-Reidy, Alejandro 2020-04-30T07:59:01Z 2020-04-30T07:59:01Z 2019 0007-5108 http://hdl.handle.net/10366/142901 [EN]Mining the wealth of new information about manuscript preparation and circulation in the Manos database (Manos.net) and about the authorship of theater texts in the CATCOM (catcom.uv.es) portal, this article proposes a comprehensive assessment of the literary career of Andrés de Claramonte. Data analysis rooted in the Manos and CATCOM sites allows for a thorough reconsideration of the staging and manuscript circulation of Claramonte’s plays during the seventeenth century. Three points of inquiry underpin my examination. First, I search for evidence of autograph manuscripts by Claramonte. In turn, I survey the indications of his success writing comedias and autos sacramentales, where the professional relationships he established with several theatrical companies during the between 1617 and his death in 1626 are of particular interest. Finally, I consider Claramonte’s enduring popular appear after his death. spa info:eu-repo/semantics/openAccess Siglo de Oro Teatro Manuscritos Representaciones Humanidades digitales Claramonte y Corroy, Andrés de La presencia escénica barroca de Andrés de Claramonte a partir de las bases de datos Manos y CATCOM info:eu-repo/semantics/article