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<dc:title>Las lenguas del exilio en las literaturas de Al-Ándalus</dc:title>
<dc:creator>Espino Barrera, Tomás</dc:creator>
<dc:subject>Multilingüismo literario</dc:subject>
<dc:subject>Lealtad lingüística</dc:subject>
<dc:subject>Literatura hispanohebrea</dc:subject>
<dc:subject>Literatura hispanoárabe</dc:subject>
<dc:subject>Literatura mozárabe</dc:subject>
<dc:subject>Literatura medieval</dc:subject>
<dc:subject>Literary Multilingualism</dc:subject>
<dc:subject>Language Loyalty</dc:subject>
<dc:subject>Spanish-Hebrew Literature</dc:subject>
<dc:subject>Spanish-Arabic Literature</dc:subject>
<dc:subject>Mozarabic Literature</dc:subject>
<dc:subject>Medieval Literature</dc:subject>
<dc:description>[EN]The scholarship on medieval literary multilingualism is mostly focused on a utilitarian notion of language choice which only depends on genre or the type of audience. Languages in this context have little political value and do not necessarily identify a writer with a specific political community. In Al-Andalus, however, the coexistence of Muslims, Jews and Christians suffused the question of language choice with a strong sense of belonging. Loyalty to the sacred language of each religion was transposed to a series of deeply exilic theoretical discourses and literary practices which were very different from the utilitarian outlook of the rest of Europe: an elegiac lament for the loss of Latin, a deep concern about the purity of Arabic far from the great seats of learning in the Middle East, and the efforts of recovering Biblical Hebrew as a poetic language.</dc:description>
<dc:description>[ES]El estudio del multilingüismo literario medieval se suele centrar en una concepción utilitaria de las lenguas, elegidas en función del género o el público, y con escaso valor de identificación de una comunidad política. En Al-Ándalus, en cambio, la coexistencia de musulmanes, judíos y cristianos provocó que la cuestión de la lengua de escritura adquiriera un importante valor identitario. La lealtad a las lenguas sagradas de cada religión se tradujo en un discurso teórico y unas prácticas literarias muy diferentes del resto de Europa y marcadas por el exilio: un lamento elegíaco de la pérdida del latín, inquietud ante el riesgo de corrupción del árabe lejos de las grandes capitales de Oriente Medio y un esfuerzo por recuperar el hebreo bíblico como lengua poética.</dc:description>
<dc:date>2020-06-23T11:11:05Z</dc:date>
<dc:date>2020-06-23T11:11:05Z</dc:date>
<dc:date>2019-12-21</dc:date>
<dc:type>info:eu-repo/semantics/article</dc:type>
<dc:identifier>1616: Anuario de Literatura Comparada, 9 (2019)</dc:identifier>
<dc:identifier>0210-7287</dc:identifier>
<dc:identifier>http://hdl.handle.net/10366/143277</dc:identifier>
<dc:language>spa</dc:language>
<dc:rights>http://creativecommons.org/licenses/by-nc-nd/4.0/</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:rights>info:eu-repo/semantics/openAccess</dc:rights>
<dc:publisher>Ediciones Universidad de Salamanca (España)</dc:publisher>
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