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oai:gredos.usal.es:10366/1456222025-04-30T20:54:18Zcom_10366_141077com_10366_123103com_10366_3823com_10366_121440com_10366_4746col_10366_143101col_10366_122456

Wronka-Szybko, Małgorzata 2020 [EN] The thesis “Ekphrastic Portrait of Pre-Raphaelite Models” aims to juxtapose two seemingly separate subjects of ekphrasis and Pre-Raphaelite models. Ekphrasis, originally a literary term for a rhetorical device, reaches times of antiquity. However, over the course of time, it underwent the process of changes and started to refer not only to painting-poetry translations but it also expanded to interrelations between disciplines such as prose, film, theater, music, and photography. Ekphrasis, as the form of imitation achieved through different means of representation, should be seen through the differences and similarities offered by words and images. Among artists who incorporated ekphrasis in their art was the nineteenth-century Brotherhood of the Pre-Raphaelites inspired by works of Dante, William Shakespeare, and Lord Alfred Tennyson. application/pdf http://hdl.handle.net/10366/145622 eng 6203 Teoría, Análisis y Critica de las Bellas Artes Resumen de tesis. Ekphrastic Portrait of Pre-Raphaelite Models info:eu-repo/semantics/doctoralThesis Ekphrastic Portrait of Pre-Raphaelite Models TEXT Gredos. Repositorio Documental de la Universidad de Salamanca Hispana