2026-09-14T06:14:18Zhttps://gredos.usal.es/oai/requestoai:gredos.usal.es:10366/1541152025-04-30T20:44:15Zcom_10366_153490com_10366_4512com_10366_3823col_10366_153491
Gonzalez-Varga, Marina
2024-01-11T11:53:24Z
2024-01-11T11:53:24Z
2018
Gonzalez-Varga, M. (2018). Levels of self-representation in Serbian brass bands through the analysis of repertoire and style/Niveles de autorrepresentación en las brass bands serbias a través del análisis de repertorio y estilo. Methaodos. Revista de Ciencias Sociales, 6(2), 291.
2340-8413
http://hdl.handle.net/10366/154115
Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a
widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from
different regions it is shown in which ways Serbian history is reflected on the tradition. Moreover, studying different
categories of the repertoire of each brass band, it is possible to illustrate how each group choses how to represent
themselves depending on the space of performance. Furthermore, I will examine the stylistic differences according to
geographical areas and the local history of the region. These aspects determine in which way the bands define
themselves.
spa
Methaodos;
Attribution-NonCommercial-NoDerivatives 4.0 Internacional
http://creativecommons.org/licenses/by-nc-nd/4.0/
info:eu-repo/semantics/openAccess
Comunidad musical
Identidad cultural
Música balcánica
Música romaní
Musical community
Cultural identity
Balkan music
Romany music
5101.04 Etnomusicología
6203.06 Música, Musicología
Niveles de autorrepresentación en las brass bands serbias a través del análisis de repertorio y estilo Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
info:eu-repo/semantics/article