2026-09-16T00:56:29Zhttps://gredos.usal.es/oai/request

oai:gredos.usal.es:10366/1554592025-04-30T20:02:03Zcom_10366_4246com_10366_4200com_10366_3946com_10366_3823col_10366_4250

00925njm 22002777a 4500 dc Escribano Belmar, Beatriz author Alcalá Mellado, José Ramón author 2019-08-14 [EN] Nowadays, it is almost a fact that electronic art and, therefore, media art was not born without inheritance. This research presents a return to the past through media archaeology as a methodological approach in order to study the role of artistic electrographic practices of (re)production, transmission and printing out of images as underground movements. Our research assesses artistic practices such as Copy Art or Fax Art. The study analyses their historical development as essential part of (historical) media art. By suggesting a new analytical perspective, we aim at discussing and understanding phenomena, art paradigms or art forms that became visible in the analog and digital materiality of the photocopy and fax artworks. For this purpose, the research is based on the original artistic documentary and bibliographic materials, as well as artistic collections held by the International Museum of Electrography (MIDE) in Cuenca (Spain) since its opening in 1990. Escribano Belmar, B., & Alcalá Mellado, J.R. (2019). The artistic contribution of the electrographic practices to the archaeology of electronic art. In O. Grau, J. Hot & E. Wandl-Vogt (Eds.). Digital art through the looking glass: New strategies for archiving, collecting and preserving in digital humanities (pp. 61-72). Edition Donau-Universität 978-3-903150-51-5 http://hdl.handle.net/10366/155459 Media Art Histories Media Archaeology Electrographic art Copy Art Xerography The Artistic Contribution of the Electrographic Practices to the Archaeology of Electronic Art