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oai:gredos.usal.es:10366/1559872024-02-22T01:01:27Zcom_10366_4586com_10366_4576com_10366_3823col_10366_4587

Borham-Puyal, Miriam Escandell Montiel, Daniel 2024-02-21T08:35:19Z 2024-02-21T08:35:19Z 2020 1989-6328 http://hdl.handle.net/10366/155987 10.37668/oceanide.v12i.29 Vampires populate our culture and have become a recurrent presence in ction and the media. In all cases the inclusion of the vampire has given voice to “socio-culture issues faced in particular times and places; issues that may otherwise remain repressed” (Dillon and Lundberg 2017, 47). is socio-cultural subtext is complicated when the vampire is female, for she is now doubly othered by her gender. Her monstrosity is seen as twofold: as a vampire and as a transgressive woman. While many studies address female vampires in popular culture, their portrayal in videogames has been recurrently overlooked. Games potentially help shape gender attitudes in thousands of players; therefore, it is particularly relevant to examine the varied representations of these monstrous or othered female gures and to understand how they adhere to or challenge misogynistic readings of women and their bodies. In light of this, and interpreting videogames as a narrative medium, this article provides an analysis of signicant vampiric videogames and discusses the female vampire in relation to violence against women and postfeminist agendas, following a narrative rather than ludology approach. eng info:eu-repo/semantics/openAccess Vampiros Vampiresas Violencia de género Gender violence Vampire Female vampire Video games Videojuegos Villains and Vixens: The Representation of Female Vampires in Videogames info:eu-repo/semantics/article