<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-09-17T06:21:41Z</responseDate><request verb="GetRecord" identifier="oai:gredos.usal.es:10366/156993" metadataPrefix="mods">https://gredos.usal.es/oai/request</request><GetRecord><record><header><identifier>oai:gredos.usal.es:10366/156993</identifier><datestamp>2025-04-30T20:19:37Z</datestamp><setSpec>com_10366_4414</setSpec><setSpec>com_10366_4395</setSpec><setSpec>com_10366_3946</setSpec><setSpec>com_10366_3823</setSpec><setSpec>col_10366_4418</setSpec></header><metadata><mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:namePart>Rodríguez Loro, Nora</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2024-04-03T08:51:34Z</mods:dateAvailable>
</mods:extension>
<mods:extension>
<mods:dateAccessioned encoding="iso8601">2024-04-03T08:51:34Z</mods:dateAccessioned>
</mods:extension>
<mods:originInfo>
<mods:dateIssued encoding="iso8601">2015</mods:dateIssued>
</mods:originInfo>
<mods:identifier type="citation">Rodríguez Loro, Nora. “Calderón’s and Wycherley’s Dancing-masters". English and American Studies in Spain: New Developments and Trends. Alberto Lázaro Lafuente y María Dolores Porto Requejo (editores).  Servicio de Publicaciones de la Universidad de Alcalá pp. 136-143</mods:identifier>
<mods:identifier type="isbn">978-84-16599-11-0</mods:identifier>
<mods:identifier type="uri">http://hdl.handle.net/10366/156993</mods:identifier>
<mods:abstract>Wycherley’s second comedy, The Gentleman Dancing-Master, is loosely based upon the central plot of Pedro Calderón’s El maestro de danzar, which is adapted to produce a comedy of wit in line with the theatrical fashions of the 1670s. The purpose of this paper is to analyse Wycherley’s use of his source and to identify the characters, and introducing a cynical view of marriage.</mods:abstract>
<mods:language>
<mods:languageTerm>eng</mods:languageTerm>
</mods:language>
<mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>
<mods:subject>
<mods:topic>adaptation</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>El maestro de danzar</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Calderón</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>The Gentleman Dancing-Master</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Wycherley</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Spanish comedia</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Restoration theatre</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>comparative literature</mods:topic>
</mods:subject>
<mods:titleInfo>
<mods:title>"Calderón’s and Wycherley’s Dancing-masters"</mods:title>
</mods:titleInfo>
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