2026-09-16T19:57:03Zhttps://gredos.usal.es/oai/request

oai:gredos.usal.es:10366/1696292026-02-09T09:42:25Zcom_10366_4423com_10366_4395com_10366_3946com_10366_3823col_10366_4427

Leone, Clarissa Maria Léontine De Nittis Olivier Chantal Il denaro e l'amore 19th century Barletta Libro: Segnate dal silenzio: scrittrici e artiste per una storia futura. UNED (artículo pp. 227-238) Throughout history, women’s abilities and talents have often been ignored or deliberately forgotten by literary criticism, leading to their total exclusion from the socio-cultural context of their time. Among the authors who fell into oblivion is Olivier Chantal (1843–1913), the pseudonym of Léontine Gruvelle and the wife of the Barletta-born painter Giuseppe De Nittis. Undoubtedly a modern and revolutionary woman for her era, she succeeded in distinguishing herself both through her artistic originality and through her ability to preserve over time the works of her husband, a great Impressionist painter. The author of numerous short stories and three novels, written with the aim of overcoming the psychological trauma caused by her spouse’s death, the Italo-French writer is today absent from any literary compendium or from texts concerning nineteenth-century women’s writing, and for this very reason she has been defined by literary criticism as a romancière oubliée. 2026-02-09 2026-02-09 2025 info:eu-repo/semantics/bookPart 9788436282542 http://hdl.handle.net/10366/169629 ita info:eu-repo/semantics/closedAccess Bartolotta; Tormo-Ortiz