2026-09-16T19:43:31Zhttps://gredos.usal.es/oai/requestoai:gredos.usal.es:10366/562342025-06-10T08:03:14Zcom_10366_4693com_10366_4677com_10366_4666com_10366_3823col_10366_4694
Gestión del Repositorio Documental de la Universidad de Salamanca
author
Sangro Colón, Pedro
2009-02-17
2009-10-15T11:00:17Z
2008
Sangro Colón, P.(2008). El cine en el diván: teoría fílmica y psicoanálisis. [Versión electrónica] "Revista de Medicina y Cine", 4, 4-11.
1885-5210
http://hdl.handle.net/10366/56234
[EN] Different disciplines have contributed to weaving a theory of psychoanalysis in the cinema: ranging from the loans from anthropology and experimental psychology, to proposals belonging to the specific sphere of film theory, such as Filmology, Text Analysis or Feminist Theory in films. In all cases, the aim is to establish a relationship between the significance structure that governs the cinema and psychology,so as to confirm that the cinema s system of representation is modelled on our unconscious psychological apparatus, as was explained by thepsychoanalyst Jacques Lacan, among others. The arrival of psychoanalysis in film thought forges the idea that considers the cinema as an auxiliarypsychological device capable of making us subjects and submerging us in the emotions in play in the conflicts proposed by any audiovisualstory.
spa
Attribution-NonCommercial-NoDerivs 3.0 Unported
Cine
Identificación
Psicoanálisis
Filmología
Cinema.
Psychoanalysis
Identification
Filmology
Significant
Significante
El cine en el diván: teoría fílmica y psicoanálisis
info:eu-repo/semantics/article
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