<?xml version="1.0" encoding="UTF-8"?><?xml-stylesheet type="text/xsl" href="static/style.xsl"?><OAI-PMH xmlns="http://www.openarchives.org/OAI/2.0/" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.openarchives.org/OAI/2.0/ http://www.openarchives.org/OAI/2.0/OAI-PMH.xsd"><responseDate>2026-08-26T23:20:28Z</responseDate><request verb="GetRecord" identifier="oai:gredos.usal.es:10366/82702" metadataPrefix="mods">https://gredos.usal.es/oai/request</request><GetRecord><record><header><identifier>oai:gredos.usal.es:10366/82702</identifier><datestamp>2025-04-30T20:31:51Z</datestamp><setSpec>com_10366_4495</setSpec><setSpec>com_10366_4395</setSpec><setSpec>com_10366_3946</setSpec><setSpec>com_10366_3823</setSpec><setSpec>col_10366_4501</setSpec></header><metadata><mods:mods xmlns:mods="http://www.loc.gov/mods/v3" xmlns:doc="http://www.lyncode.com/xoai" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xsi:schemaLocation="http://www.loc.gov/mods/v3 http://www.loc.gov/standards/mods/v3/mods-3-1.xsd">
<mods:name>
<mods:namePart>Linder, Daniel</mods:namePart>
</mods:name>
<mods:extension>
<mods:dateAvailable encoding="iso8601">2011-02-17T09:30:43Z</mods:dateAvailable>
</mods:extension>
<mods:extension>
<mods:dateAccessioned encoding="iso8601">2011-02-17T09:30:43Z</mods:dateAccessioned>
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<mods:originInfo>
<mods:dateIssued encoding="iso8601">2000-11-16</mods:dateIssued>
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<mods:identifier type="citation">Linder, Daniel (2001). "Translating hard-boiled slang: Raymond Chandler’s the long goodbye in spanish". Últimas corrientes teóricas en los estudios de traducción y sus aplicaciones. Salamanca: Ediciones Universidad de Salamanca.</mods:identifier>
<mods:identifier type="isbn">84-7800-868-3</mods:identifier>
<mods:identifier type="uri">http://hdl.handle.net/10366/82702</mods:identifier>
<mods:abstract>Raymond Chandler wrote seven detective novels between 1939 and 1958, but The Long Goodbye (1954) is often considered Chandler’s best-written and most profound work.  While it breaks with some of the features of the hard-boiled detective novel of the 1930s, 40s and 50s, it nonetheless remains firmly anchored in this tradition.  One example of this is how Chandler used hard-boiled slang, an acquired body of non-standard literary vocabulary used by other authors such as Dashiell Hammett.  I will discuss the literary functions of hard-boiled slang and the narrative conventions used to mark it.  Then I will discuss the translation of hard-boiled slang in the three Spanish-language versions, both titled El largo adiós (1958, 1962, 1973) and the relationship between these Spanish-lnaguage translations.  There is reason to believe that the third version is an unoriginal, if not plagiarized, version of the first.</mods:abstract>
<mods:language>
<mods:languageTerm>eng</mods:languageTerm>
</mods:language>
<mods:accessCondition type="useAndReproduction">https://creativecommons.org/licenses/by-nc-nd/3.0/</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">info:eu-repo/semantics/openAccess</mods:accessCondition>
<mods:accessCondition type="useAndReproduction">Attribution-NonCommercial-NoDerivs 3.0 Unported</mods:accessCondition>
<mods:subject>
<mods:topic>Slang</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Traducción</mods:topic>
</mods:subject>
<mods:subject>
<mods:topic>Inglés-Español</mods:topic>
</mods:subject>
<mods:titleInfo>
<mods:title>Translating hard-boiled slang: Raymond Chandler’s the long goodbye in spanish</mods:title>
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