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Título
Resumen de tesis. Ekphrastic Portrait of Pre-Raphaelite Models
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Ekphrastic Portrait of Pre-Raphaelite Models
Autor(es)
Assunto
Tesis y disertaciones académicas
Universidad de Salamanca (España)
Resumen de tesis
Thesis Abstracts
Pre-Raphaelite Models
Ekphrastic Portrait
Renaissance
Enlightenment
Brotherhood
Clasificación UNESCO
6203 Teoría, Análisis y Critica de las Bellas Artes
Fecha de publicación
2020
Resumen
[EN] The thesis “Ekphrastic Portrait of Pre-Raphaelite Models” aims to juxtapose two seemingly separate subjects of ekphrasis and Pre-Raphaelite models. Ekphrasis, originally a literary term for a rhetorical device, reaches times of antiquity. However, over the course of time, it underwent the process of changes and started to refer not only to painting-poetry translations but it also expanded to interrelations between disciplines such as prose, film, theater, music, and photography. Ekphrasis, as the form of imitation achieved through different means of representation, should be seen through the differences and similarities offered by words and images. Among artists who incorporated ekphrasis in their art was the nineteenth-century Brotherhood of the Pre-Raphaelites inspired by works of Dante, William Shakespeare, and Lord Alfred Tennyson.
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