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dc.contributor.authorTejero-Marín, Ana
dc.date.accessioned2024-03-19T11:15:39Z
dc.date.available2024-03-19T11:15:39Z
dc.date.issued2023
dc.identifier.issn2175-8026
dc.identifier.urihttp://hdl.handle.net/10366/156777
dc.description.abstractWhile the Anthropocene has traditionally been associated with apocalyptic images, the notion of the good Anthropocene, widely criticized since its origin, has emerged as its utopian counterpart. In his novel "The Ministry for the Future" (2020), Kim Stanley Robinson explicitly uses the name “good Anthropocene” to refer to the state of the world at the end of the story, more sustainable and equitable. This article examines the utopian and dystopian connotations of the (good) Anthropocene and analyzes how Robinson utilizes the term in his narrative; in particular, it focuses on his employment of narrative structure to convey the multiplicity of the Anthropocene, his preoccupation with discerning the socio-cultural origins of the epoch and his intention of conveying the positive future of the story as achievable through active hope and collaboration.es_ES
dc.language.isoenges_ES
dc.rightsAtribución 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/*
dc.subjectgood Anthropocenees_ES
dc.subjectKim Stanley Robinsones_ES
dc.subjectThe Ministry for the Futurees_ES
dc.subjectscience fictiones_ES
dc.subjectanti-dystopiaes_ES
dc.titleProjecting utopian thought: The conceptualization of the 'good Anthropocene' in Kim Stanley Robinson's 'The Ministry for the Future'es_ES
dc.typeinfo:eu-repo/semantics/articlees_ES
dc.subject.unesco5701.07 Lengua y Literaturaes_ES
dc.identifier.doi10.5007/2175-8026.2023.e92559
dc.relation.projectIDFPU20/06066es_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES
dc.journal.titleIlha do Desterroes_ES
dc.volume.number76es_ES
dc.issue.number2es_ES
dc.page.initial313es_ES
dc.page.final331es_ES
dc.type.hasVersioninfo:eu-repo/semantics/publishedVersiones_ES


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Atribución 4.0 Internacional
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