dc.contributor.author | Chao, Ramón, 1935- | es_ES |
dc.date.accessioned | 2009-10-10T14:34:11Z | |
dc.date.available | 2009-10-10T14:34:11Z | |
dc.date.issued | 1980-12-01 | es_ES |
dc.identifier.citation | Triunfo. Año XXXIV, n. 2 (1 dic. 1980),p. 68-71 | es_ES |
dc.identifier.uri | http://hdl.handle.net/10366/51527 | |
dc.format.extent | 4 páginas | es_ES |
dc.format.mimetype | application/pdf | es_ES |
dc.language | Español | es_ES |
dc.language.iso | spa | es_ES |
dc.relation.requires | Adobe Acrobat | es_ES |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Unported | |
dc.rights.uri | https://creativecommons.org/licenses/by-nc-nd/3.0/ | |
dc.subject | Bellas Artes | es_ES |
dc.subject | Crítica de arte | es_ES |
dc.subject | Pattern | es_ES |
dc.subject | Artistas | es_ES |
dc.title | Llega la pintura "pattern" | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.type | info:eu-repo/semantics/article | es_ES |
dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
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