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Título
Germany - The way the beginning of World War One is presented in popular history magazines
Otros títulos
Die Darstellung des Beginns des Ersten Weltkriegs in populären Geschichtsmagazinen
La manera de presentar el comienzo de la Primera Guerra Mundial en las revistas populares de historia
Sposób przedstawiania rozpoczęcia I wojny światowej w popularnych magazynach historycznych
Hur man presenterar första världskrigets början i populärhistoriska tidskrifter
Autor(es)
Palabras clave
EHISTO
history
historia
Lifelong Learning Programme
education
educación
World War I
Primera Guerra Mundial
Clasificación UNESCO
55 Historia
58 Pedagogía
Fecha de publicación
2014-11-12
Resumen
The unit shown deals with the start of World War One and its representation mainly in German and Swedish popular history magazines, which are examples introduced in the following. The focus is on pictures used for illustrating the assassination of Sarajevo both in textbooks and in magazines. Considering this, the central question is, how those pictures are selected and presented as historical sources. Furthermore, the unit tries to figure out, whether the question of the guilt of war is regarded to be multi-perspective or explicit.
Descripción
European history crossroads as pathways to intercultural and media education (EHISTO)
EHISTO (European history crossroads as pathways to intercultural and media education) is concerned with the mediation of history in popular (science) media and the question of social and political responsibility of journalists and other mediators of history, especially teachers, in the field of commercial presentation of history. The project responds to the increasing significance of a commercialised mediation of history within the public historical culture and reflects the fact that these representations, which do not always meet the EU standards for history education, can have a lasting impact on the young generation’s understanding of history.
Using the example of popular history magazines, the project shall, besides the necessary basic research, develop didactically reflected materials for both history education in school as well as initial and in-service teacher training. On one hand enable a media-critical examination of history magazines and on the other hand, by working with the history magazines, the project addresses itself to popular interpretations of history from the participating countries and reflects their similarities and differences in European cultures of remembrance. Therefore, this approach not only trains media-critical competences but furthermore enables a multi-perspective and comparative access to history.
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