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Theoretical approaches to the composition of imitative and expressive film music: the description of soundscape, music and nature in Beltran Moner’s Musical Atmosphere
dc.contributor.authorOlarte Martínez, Matilde María 
dc.date.accessioned2024-01-23T13:42:42Z
dc.date.available2024-01-23T13:42:42Z
dc.date.issued2013
dc.identifier.urihttp://www-artweb.univ-paris8.fr/spip.php?article1677
dc.identifier.urihttp://hdl.handle.net/10366/154562
dc.description.abstractIn this paper I describe the importance of Musical Atmosphere. Selection, installation and sound (Rafael Beltrán Moner, 1983) as a theoretical work for music sound in the Spanish television and radio.es_ES
dc.language.isoenges_ES
dc.publisherUniversitè Paris 8es_ES
dc.relation.ispartofseriesMatilde María;
dc.rightsAttribution-NonCommercial-NoDerivatives 4.0 Internacional*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/4.0/*
dc.subjectMúsica aplicadaes_ES
dc.subjectAnalisis musicales_ES
dc.subjectMusic analysises_ES
dc.subjectApplied Musices_ES
dc.titleTheoretical approaches to the composition of imitative and expressive film music: the description of soundscape, music and nature in Beltran Moner’s Musical Atmospherees_ES
dc.typeinfo:eu-repo/semantics/conferenceObjectes_ES
dc.subject.unesco6203.01 Cinematografíaes_ES
dc.subject.unesco6203.06 Música, Musicologíaes_ES
dc.relation.projectIDHAR2011-15391; HAR2010-15165es_ES
dc.rights.accessRightsinfo:eu-repo/semantics/openAccesses_ES


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