| dc.contributor.author | Casado Chamizo, Sergio | |
| dc.date.accessioned | 2025-09-02T08:38:33Z | |
| dc.date.available | 2025-09-02T08:38:33Z | |
| dc.date.issued | 2025 | |
| dc.identifier.citation | Casado Chamizo, S. (2025). Precedentes del pensamiento psicoanalítico en la estética de Nietzsche. Daimon Revista Internacional de Filosofia, (96), 145–160. https://doi.org/10.6018/daimon.543661 | es_ES |
| dc.identifier.uri | http://hdl.handle.net/10366/166904 | |
| dc.description.abstract | [ES] El viraje psicológico de Nietzsche a
partir de Humano, demasiado humano lo llevó a
reconsiderar muchos aspectos de su obra anterior
sobre la metafísica del artista y abordarlos desde
una perspectiva científica. Analizamos los estados
psicofisiológicos derivados de las fuerzas
de Apolo y Dioniso, descritos El nacimiento de
la tragedia, hasta su segunda etapa a través del
análisis de la potencia creativa del sueño desde la
óptica del psicoanálisis freudiano. Nuestro objetivo
es estudiar los efectos e interpretaciones de
las predicciones de Nietzsche sobre las imágenes
de la Modernidad utilizando las pinturas melancólicas
presentes en la lectura posterior desde el arte
de Giorgio de Chirico.
[EN] Nietzsche’s psychological shift from
Human, All Too Human led him to reconsider
many aspects of his earlier work on the metaphysics
of the artist and approach them from a
scientific perspective. We analyze the psychophysiological
states derived from the forces of
Apollo and Dionysus, as described in The Birth
of Tragedy, through his second stage by analyzing
the creative power of dreams from the perspective
of Freudian psychoanalysis. Our goal is to study
the effects and interpretations of Nietzsche’s predictions
on Modernity using melancholic paintings
present in post-Nietzschean art, such as the
works of Giorgio de Chirico. | es_ES |
| dc.description.abstract | [EN] Nietzsche’s psychological shift from
Human, All Too Human led him to reconsider
many aspects of his earlier work on the metaphysics
of the artist and approach them from a
scientific perspective. We analyze the psychophysiological
states derived from the forces of
Apollo and Dionysus, as described in The Birth
of Tragedy, through his second stage by analyzing
the creative power of dreams from the perspective
of Freudian psychoanalysis. Our goal is to study
the effects and interpretations of Nietzsche’s predictions
on Modernity using melancholic paintings
present in post-Nietzschean art, such as the
works of Giorgio de Chirico. | en |
| dc.format.mimetype | application/pdf | |
| dc.language | Español | |
| dc.language.iso | spa | es_ES |
| dc.publisher | Universidad de Murcia. Servicio de Publicaciones | es_ES |
| dc.rights | Attribution-NonCommercial-NoDerivs 3.0 Unported | * |
| dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/ | * |
| dc.subject | Friedrich Nietzsche | es_ES |
| dc.subject | Estética de los afectos | es_ES |
| dc.subject | Psicología del arte | es_ES |
| dc.subject | Arte y melancolía | es_ES |
| dc.subject | Psicoanálisis | es_ES |
| dc.subject | Aesthetic of Affections | es_ES |
| dc.subject | Psychology of Art | es_ES |
| dc.subject | Art and melancholy | es_ES |
| dc.subject | Psychoanalysis | es_ES |
| dc.title | Precedentes del pensamiento psicoanalítico en la estética de Nietzsche | es_ES |
| dc.title.alternative | Precedents of Psychoanalytic Thought in Nietzsche's Aesthetics | es_ES |
| dc.type | info:eu-repo/semantics/article | es_ES |
| dc.relation.publishversion | http://dx.doi.org/10.6018/daimon.543661 | es_ES |
| dc.subject.unesco | 7204.02 Filosofía Moderna | es_ES |
| dc.identifier.doi | 10.6018/daimon.543661 | |
| dc.rights.accessRights | info:eu-repo/semantics/openAccess | es_ES |
| dc.identifier.essn | 1989-4651 | |
| dc.journal.title | Daimon. Revista Internacional de Filosofía | es_ES |
| dc.issue.number | 96 | es_ES |
| dc.page.initial | 145 | es_ES |
| dc.page.final | 160 | es_ES |
| dc.type.hasVersion | info:eu-repo/semantics/publishedVersion | es_ES |