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Título
The search of archives and collections as a way for digital curating and do not forget historical artworks
Autor(es)
Palabras clave
Digital curation
Media Art
Media Archaeology
Medialab
Clasificación UNESCO
6203 Teoría, Análisis y Critica de las Bellas Artes
5506.02 Historia del Arte
Fecha de publicación
2020-09-07
Editor
University of Salford
Citación
Escribano Belmar, B., & Caerols Mateo, R. (septiembre, 2020). The search of archives and collections as a way for digital curating and do not forget historical artworks. Digital Research in the Humanities and Arts
Resumen
[EN] Digital curation does not only mean to have online exhibitions on digital nature works or projects
but also being able to recirculate all those historical Media Art works that have been scattered in
different places or just forgotten and unknown. For that purpose, many researchers, professors,
artists and other specialists seek to lighten the lack of information and documentation around
Media Art in Spain, usually through different R&D projects. Thanks to the possibility offered by
these projects, it is enabled to research on the historical Media Art archives and collections, the
preservation and, especially, the dissemination by means of digital supports. In Spain, this is the
relevant case of the work made on L’angelot and MECAD in Barcelona and Medialab Madrid in the
capital, as some examples by the Spanish Archive of Media Art (SAOMA) project. Actions such as
the identification, cataloging and labelling of the artistic works that belong to public and private
collections, both historical and contemporary had taken place. The main result of this project is the
online Spanish Network of Archives and Collections of Media Art, as a convergence space for the
cooperation on its management, preservation and dissemination through the support of technical
instruments in the way to internationalization.
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